AEAF Awards ENTRIES DEADLINE 30 JUNE - Are you planning to enter but don't have your video ready yet? If you submit your entry form now, you will have until 14 July to submit the video.
But don't delay - see the ENTRY FORM now.
The AEAF Awards are in their 23rd year and we invite entries from around the world in 19 categories, recognising excellence in VFX and animation created for screened work. You are welcome to enter recent projects in the upcoming AEAF Awards 2020. No fee is required to enter.
AEAF 14 August
Online Awards - Webinars
AEAF is a celebration of VFX and Animation with a Speaker Program and Awards.
AEAF takes place on 14 August in an exciting new format.
AEAF 2020 will bring the AEAF Speaker Program and the AEAF Awards to your device, wherever you are.
Following a day of webinar talks from the leading lights of the VFX industry, the AEAF Awards finalists and winners showreel will be screened on the evening of 14 August and made available in all time zones.
REGISTER
Alexis Wajsbrot
VFX Supervisor
Framestore
Spider-Man: Far From Home
Alexis will present Framestore's work on the ‘Illusion Battle,’ a mesmirising sequence in which Peter Parker’s worst fears come to life as psychedelic environments, freakish characters and an unnerving narrative. Framestore was also encouraged to come up with original and inventive ideas of their own for the work. Pre-production began with pre-vis as a jumping-off point, and went on to brainstorm more ideas, create storyboards and concept art, finally delivering rapid prototypes.
Animation Supervisor
DNEG
Waking the Machine: The Animation of Westworld Season 3
In his talk titled 'Waking the Machine: The Animation of Westworld III', DNEG Animation Supervisor Ben Wiggs talks us through the challenge of breathing life into synthetic machinery and straddling the line between mechanical motion vs natural human behaviour in the TV series 'Westworld' Season 3.
Nelson Sepulveda-Fauser
Associate VFX Supervisor
Industrial Light & Magic
The Irishman
Nelson will talk about about the approach ILM took to 'The Irishman', with a particular focus on de-aging the actors. Nelson Sepulveda-Fauser is an Associate Visual Effects Supervisor known for his Academy Award nominated work on Martin Scorsese’s 'The Irishman', where he was instrumental in the development of the ground breaking techniques used for digital de-aging.
In 2020, he relocated to Sydney, Australia to be part of the leadership team for the newest Industrial Light & Magic studio located at Fox Studios.
Robert Bock
VFX Supervisor
Rodeo FX
Tales from the Loop
Robert will give insights on how Rodeo FX created the visual effects for 'Tales from the Loop' which involved turning beautiful, evocative artwork into realistically animated 3D assets and unique environments for this series of nostalgic, neo-futuristic stories.
Rodeo developed assets including robots, a mechanical hand and several environments both full and enhanced, combining visions of everyday rural life with ageing sci-fi features. The shots contained many complex elements that slowly and elegantly play out on screen, adding up to over 700 shots for two hours of screen time.
Technical Lead
UTS ALA
Feature Level Complexity On A Student Budget
Daniel will talk about how new technology was used to achieve scale on the short film The Bounty Hunter, created by the 2019 cohort at UTSALA. Daniel will cover using USD as the basis of the pipeline, Shotgun integration, virtual production, automated rendering, sequence based lighting, and fx layering with USD.
AEAF Awards ENTRIES DEADLINE 30 JUNE Don't delay ENTER now.
AEAF invite you and your team to enter work in the AEAF Awards 2020. The AEAF Awards are in their 23rd year and we invite entries from around the world in 19 categories, recognising excellence in VFX and animation created for screened work. You are welcome to enter recent projects in the upcoming AEAF Awards 2020 No fee is required to enter.
American automotive designer Carroll Shelby and fearless British race car driver Ken Miles battle corporate interference, the laws of physics and their own personal demons to build a revolutionary vehicle for the Ford Motor Co.
feeling of the AirPods believable and real, Framestore raised an entire set of a city six foot above the ground, which allowed us to choreograph and capture the performer’s moves in camera, without the help of VFX.
100% Wolf from Flying Bark Productions
ating feeling of the AirPods believable and real, Framestore raised an entire set of a city six foot above the ground, which allowed us to choreograph and capture the performer’s moves in camera, without the help of VFX.
In order to make the liberating feeling of the AirPods believable and real, Framestore raised an entire set of a city six foot above the ground, which allowed us to choreograph and capture the performer’s moves in camera, without the help of VFX.
Reamestore crafted a satirical and pointed commentary on the digital world using a strategic combination of practical effects and seamless VFX. In order to create a visually engaging story.
Ancient forces move in the darkness and it’s up to you to walk the planes of the Magic Multiverse, and gather the power needed to fight this evil.
An intoxicating music and a sequence shot to dance to, unplug and get away from it all ! Plunge yourself in full immersion into this timeless universe, let yourself be carried away by the electro-hypnotic dance steps of this captivating character and this bewitching heady sound.
Led by Production VFX Supervisor Erik Nash, MPC Film was lead studio on Call of the Wild, delivering a variety of effects from full CG environments, set extensions, digital characters and FX simulations.
Through stunning animations and immersive digital environments, Victoria the T. rex offers an unforgettable, intimate look at one of the fiercest and most mysterious creatures to ever walk the earth.
In this immersive cinematic experience, Mendes thrusts the audience into the immediate peril and vast scale of World War I, witnessing the conflict in an urgent and propulsive way. The film is told in real time and plays as one continuous shot.
Adidas - Ozweego from Fin Design and Effects
From sun kissed beaches and ancient desert cities, to futuristic museums and space itself, Fin transported the host of the show, Neil deGrasse Tyson, and integrated him precisely into the variously generated environments.
MPC Film has teamed up once again with director Jon Favreau to push the boundaries of what entertainment can be – beyond what’s ever been done before.
WINNERS 2019 See the full list of finalists and winners in the AEAF Hall of Fame
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