We were proud to be a key creative partner on The Watch; the BBC America series bringing Terry Pratchett’s fantastical Discworld to the small screen. For the series, we delivered extensive post-vis, high-end VFX and crafted two very different types of dragon - from concept to final creature.
The brief asked us to come up with ideas for dragons that hadn’t been done before; breathing life into complex, magical creatures that are grounded enough to be believable. Our art department jumped at the challenge; crafting concepts of two vastly different beasts; ‘Goodboy’, an adorable dragon small enough to fit in the palm of your hand, and ‘Noble Dragon’, a creature the size of a jumbo jet and made up of FX-driven smoke, fire, and lightning. These were then developed into the full-CG, hand-animated creatures that you see on screen.
Fan favourite, Goodboy, had to be charming while also function as a hand-held flamethrower. His facial animation was driven with the brief of incorporating Pratchett’s tongue-in-cheek wit, as he interacts with the characters around him. Designed for a small supporting role, he became so popular he was written into the show as a regular character.
To make Noble Dragon feel different to the dragons we all know so well from other popular fantasy series and films, we wanted to give her an ethereal, smoky quality. This meant it would need to be highly FX-driven. The team designed and modelled the character from the ground up, including scales – even though they wouldn’t be seen by the audience.
Head of Production
Daniel Lloyd Wood
Model & Texture
Houdini, Maya, V-Ray, Nuke, 3DSMax