aeaf 2017 entries


aeaf speaker lineup

aartists in motion AEAF Speakers Program

Charlotte McCarthy

A dancer overcomes her doubts to create beauty in the darkness.


SOFTWARE:Harmony Toon Boom


Lead Animator: Charlotte McCarthy
Butterfly Co-Animator: Vincent Pham
Inkers and Colourers: Alea Trinajstic, Elton Su, Lindsey Sampang Director: Charlotte McCarthy
Music Design: Charlotte McCarthy
Sound Editor: Philip Venczel
Dance Choreographer: Amelia McCarthy
Clarinetist: Sandy McCarthy
Compositing and Post-Production: Charlotte McCarthy


Riley Nicholls

When Portia, a four year old girl begins terrorising her unwanted leftovers, her overactive imagination fights back with avengance.

Portia, A four year old girl, sits at a dining table and pushes peas around her plate. She squishes a pea and then three peas come to life. The peas begin shouting inaudibly at Portia, and she stares in disbelief. Her mouth hangs open, and the peas catapult a piece of carrot at the her. It lands in her mouth knocking her backwards off his chair.


SOFTWARE:Harmony Toon Boom


Writer, Director, Animator:
Riley Nicholls (Cauchi)

Environment Artists:
Jaymes Ruffin
Jessica Boan
Diew House
Vincent Chang
Natalie Barker

Mark Sheard
Sound Designer:
Stephan Long

Griffin Jennings

Voice Actor:
Beth Watkins


Chelsea Thompson

The Alchemists

A short student animation about a pair of teenage boys experimenting in the dark arts.


SOFTWARE:Harmony Toon Boom

Framestore -

Framestore Pictures and Director Murray Butler have produced and directed a whole charm of hummingbirds for the new commercial for Britvic-owned drinks brand Purdey’s. It produced the fully-CG photoreal film for advertising agency VCCP, which is an homage to nature and wildlife documentaries, reflecting the natural ingredients found in Purdey’s products.

The commercial, created by the award-winning creative studio, features hundreds of hummingbirds flitting around a vibrant and colourful jungle environment. As the birds come together, they reveal a Purdey’s bottle amongst the foliage.

‘The reality of putting this idea on screen meant that full CG was really the only way to control a narrative and get the look we wanted,’ explains director Murray Butler. ‘We wanted the film to be reminiscent of a high-quality nature documentary so referenced a lot of nature footage to block the action and movements of the birds. Doing it this way meant we could make sure it looked realistic yet beautiful, even without any live-action footage.’

The creation of the hummingbirds took advantage of a brand-new feather system created in-house by the Framestore team. Each of the birds’ iridescent feathers - of which hummingbirds have between 1000 and 1500 - were meticulously crafted and planted onto the CG birds, matching the size and distribution of their real-life counterparts. Then simulating real world physics, Framestore’s feather system dynamically lays down one on top of the other, with precise feather-on-feather collisions to mimic their real-world look and behaviour.

One of the biggest challenges for the film’s artists was creating the flocking sequence with the hummingbirds in a believable way. The production team referenced footage of birds and fish that do perform this action, in order to produce the commercial’s realistic-feeling images.

For the birds to look as natural as possible, the team also needed to create the surroundings for them to exist in, for which it leant on the environmental experience of Framestore’s film department. Talking about how this was created, Jules Janaud, the project’s VFX Supervisor said the team: ‘created a rainforest inspired by highlands of northern and western South America, It had dense foliage, mossy trunks and flowers that added touches of colour.’ ​

‘The hummingbirds created by the team are vivid and colourful with a lot of green, so it was a real challenge to make them stand out against the environment’s botanics. We played a lot with their feathers’ level of iridescence  and used strong backlighting and atmospheric rays to make each shot as visually impressive as possible.’ ​

‘This commercial is a great example of how artists and producers from across Framestore’s global studios can come together to deliver some really outstanding work to clients,’ said Helen Hughes, Framestore’s Head of Advertising. ‘Murray and the film’s Creative Director Ben Cronin previously worked together in New York so even when working across continents there was great communication between the team, making production as seamless as possible.'

‘This has been the first time we’ve had Framestore Pictures produce and direct a commercial for us even though VCCP and Framestore have had a long-standing partnership,’ explains Tony Hector, Creative Director at VCCP.

CATEGORY: Commercials - VFX


Client: Purdey’s

Agency: VCCP

Global Brand Manager, Natural Energy: Sophie Killer

Global Marketing & Innovation: David Laidler

Production Company: Framestore Pictures

Director: Murray Butler

Creative Director: Ben Cronin 

Animation, VFX & Colour: Framestore

VFX Producer: Emma Cook

Line Producer: Mia Lalanne

CG Coordinator: Emma Hughes

Production Assistant: Katie Sharpe

VFX Supervisor: Jules Janaud

Head of 2D: Suzanne Jandu

Modellers: Mary Doyle, Omar Jason, Sondre Utheim

Texture Artist: Marnie Pitts

Lead Animator: Gez Wright

Animators: Dan Bielawski, Ashley Reemul, Mel Wong, Emma Ewing

Rigger: Andrew Butler

Head of CG: Ahmed Gharraph

R&D: Phillip Child

FX: Tim Woods, Dylan Brinsbury Magee, Baptise Roy, Ceyhan Kapusuz

Lighting: Justin Long, Joel Best, Ed Mykolaitis, Finella Fan

Compositors: Christian Baker, Matthew Thomas, Heather Costa

Pipeline TD: Adam Ting

Editorial: Jack Hubbard

Colourist: Stefan Perry

Flame: Ollie Bersey